There's a few tiny things to do before I update the website with this logo, but I'm too excited about it to not share! I think the wizard needs a name! I've got a few ideas, but let me hear your suggestions in the comments below!
One of my primary motivators for building this website (the original version was a Tumblr blog) was frustration. The frustration stemmed from the sheer amount of repeated questions that we would see over and over again within the misprint community. All of the answers were so basic! Why couldn't people understand? My thoughts were that if I could build an easy to understand beginner's guide then we wouldn't repeatedly see all the same newb questions and as a result, less frustration! Wishful thinking eh?
As admins of the Misprints and Rarities Facebook Group, my compatriots and I have put a considerable amount of time and energy into both directly helping folks out as well as creating resources for them to help themselves. Other prominent and active members of the community have done the same. Despite our best efforts, there is still a steady stream of people who think a card shifted 1mm is miscut, can't identify NFC (or even know what it means), or wonder why their foil cutline wasn't approved. Can't you see it? It's right there in the group rules! Why are you emailing me about your 'miscut' that's not even off-centered? I covered that in the beginner's guide! UGH!
Is it laziness? Is it ignorance? Is is plain stupidity? Worse yet, did I not explain it correctly? Could I have made it easier to understand? Is my expertise bias clouding my perspective? It's probably all of the above and then some. Knowing that doesn't seem to help the frustration though! As passionate collectors, there's only so much we can take! RAAAGGGEEEEE! FRUSTRATION! SMASH FACE ON DESK!...ok sorry. Got a bit carried away there.
Like it or not, frustration is a natural reaction. I don't know if anyone in the misprint community has reached a level of zen where they don't get at least a little bit bothered when someone asks a question that was answered 2 comments up in a thread or gets angry at YOU for declining their post even though it's clearly laid out in the rules. I'm sure you get the point now. I'll stop kicking this horse with this segue; What we do with that frustration is IMPORTANT.
The misprint community has a variety of reputations, not all of which are overwhelmingly positive. I'd like to say the the frustration is the cause, but the reality of it is how fellow community members let that frustration influence their actions. It may not seem like it, but even being a little bit of a jerk has consequences for the misprint community. I often wonder how many potential misprint collectors have been deterred from the hobby when they met an unwelcome reception to what they felt was a reasonable question or when they wanted to share something they thought was cool. It's sad to think about, and I've seen it happen.
So you're still frustrated. What do you do? Never fear! I present you with these simple options of what to do when your goat has been gotten:
- Politely direct the question asker to the already existing resources that answers their questions. The key word is 'politely.' It's really not that difficult to be courteous. You don't have to bend over backwards with overwhelming kindness, but just don't be an ass. It really doesn't take much energy. Sometimes it can even feel good to help others. Don't feel like expending that tiny bit of extra energy? Try the next strategies.
- Ignore it. Let it slide. Roll your eyes and move on. It turns out that you don't HAVE to let the internet know how you feel. If you're not going to add anything constructive to the conversation, then don't say anything. Over time you'll hopefully develop a thicker skin or at least desensitize yourself to the newbs.
- Channel the frustration into something productive. Build a website, write a blog, make some Youtube videos (see a pattern here?), make a Facebook group for people that share your feelings, go to the gym, play with the dog, or really just anything else. Emotions generate energy, which you can utilize to your advantage.
Personally, I employ each of the above strategies. When I choose each one is context specific and/or based on my mood. I've often considered how much leniency to afford the folks who come seeking help. How much energy should I expect people to put in before I put energy in myself? That's a question that we each have to answer for ourselves.
I have a few thoughts left to leave you with. The first is don't let the visible newbness get you down. It's very easy to color our perceptions based on the content that is most visible. Constantly seeing the same annoying questions over and over again can lead you to believe that nobody is listening. Keep in mind what you're not seeing are the people who actually learned something from your efforts. They're out there and there are probably more of them than you think. If you're one of the folks who have been helped out by the misprint community, say thanks! Showing appreciation for our efforts can go a long way.
That's it for now! I'd love to hear your thoughts on this topic. Have any advice or other strategies to share? Comment below or send me an email. Thanks for reading!
Currently there is a general perception that the overall quality of Magic cards has been severely declining over the years. Perhaps this is an arrogant assumption on my part, but I'd wager that the misprint community is probably the most informed sub-culture of the MTG player/collector base when it comes to seeing the complete picture regarding the overall quality of MTG product. For what it's worth, it is literally our hobby to collect production errors. Hopefully I can share some of our insights into what has and hasn't shifted in this heated topic.
Wrong. Mistakes are a natural part of production. The more complicated the production process and the more you produce stuff, the more room there is for mistakes. ISO:9001 is a standardized QA system that companies (in this case Cartamundi) can cater to their own needs. What that boils down to is that Cartamundi can choose what is and isn't acceptable for the quality of their products. As long as they meet their self prescribed quality standards and processes, they can keep their ISO certification. This is a gross generalization of ISO, but is meant to illustrate that the level and degree of QA is a choice.
Well, sort of. If they were physically capable of ensuring a 100% as-intended product, they would probably do so as long as it wasn't super expensive. By setting the acceptable standards lower than 100%, they're being realistic. Things happen during production. No machine and no person is perfect. Sometimes mistakes just get through. Cartamundi's QA system just insures that it maintains an acceptable margin of error.
It's possible, but let's talk about something called Survivorship Bias. Survivorship bias can be summed up as people's ability to draw incorrect correlations and conclusions based on the visibility of an outcome. For example; "I'm seeing a ton more misprints than I used to so there must be declining production standards." The truth is that you can draw any number of conclusions based on the number of misprints you're seeing, and none of them are more correct than than the others (unless you have inside information).
I'm glad you asked!
1. MTG is the most popular it's ever been AND more Magic cards are currently being printed than ever before.
Let's paint a hypothetical picture where we say 1% of any set's total print run is misprinted. Set A (nostalgically printed in 2010) has a total print run of 20 million cards (this is a hypothetical scenario with entirely made up numbers, but bear with me) which means we see approximately 200,000 misprints. Set B (which just came out in 2017) had a 100 million card run which yields 1 million misprints. Pretty simple math to understand why you're seeing more. If you look at the data we do have about MTG print run size it actually correlates pretty nicely with the sets we know to have lots of misprints, but also to the severity of misprints in those sets. Take Fallen Empires as an example. There was a pretty large jump in production numbers (75mil The Dark > 375mil FE) and as a result FE has some super spicy misprints.
2. There is a higher level of awareness of the misprint community.
As of writing this blog post, the Misprints and Rarities Facebook Group has ~28,000 members, ~5,000 of which have joined in the last 6 months. The more people that are aware of misprints the more people there are who will post them on teh iternets. No surprise there why you're seeing more of them pop up.
3. WotC/Hasbro/Cartamundi/The Illuminati (#conspiracyTheories) keep futzing with cards.
Magic the Gathering is a fluid and living game. New stuff is being done all the time. This can be super subtle visual changes to a minor part of the card that you may never notice, to major mechanics that completely change how a MTG card functions. Every time you add a new element, you add more possibilities for things to go wrong. It's not just visual or mechanical changes to cards that they've been playing around with either, but I'll address this in the next paragraph.
4. WotC likes to experiment, gauge the results, and then course correct on the fly.
This includes the physical makeup of the cards. We've seen subtle (and sometimes not so subtle) changes in cardstock and foiling processes throughout various product releases. I don't bring this up to poo poo all over WotC for choosing lower quality cardstock (not really an argument that you can have without insider information) but rather as another element which can induce variance to the printing process, and therefore contribute to the higher population of misprints.
Ok, well that's a whole slew of factors that contribute to our perception of WotC's QA, but what's the bottom line here? What it all comes down to is that it is extremely likely that it's a combination of all of the above. Thinking that MTG QA standards have plummeted to the point where we need to be frothing-at-the-mouth upset with WotC is a stance that doesn't take into consideration all of the factors. However, at the same time, we are SEEING more abnormal product than ever before.
Technically yes and technically no. Misprint value, is heavily dependent on severity of the misprint. The question is, who determines what severity of misprint is valuable and what isn't? It's based on availability. Our perception of what is cool and what isn't is based on what we see. The more of a specific type of misprint we see, the less we'll value it. In a way, the massive influx of misprints has resulted in collectors acquiring a more refined taste. We value the more severe (rarer) misprints more.
Well...that about wraps this up. QA may have shifted slightly, but there are many other factors at work. What are your thoughts on MTG card quality? Do you agree or disagree with me. Let me know in the comments and thanks for reading!
The Misprints and Rarities Facebook group has become the primary marketplace for auctioning off misprints and rarities. Unlike eBay, the FB group has a tremendous amount of visibility directly to the target audience. Also unlike eBay, Facebook auctions are a sequential series of non-binding, unregulated comments. There's an inherit risk when buying and selling on FB, but it's usually a small one since we're a moderated community. "So what does this have to do with $1 bids, Jason?" you ask. Well, it's that whole community thing.
I suppose the title of this blog is slightly misleading. Despite my strong aversion to $1 bids, there is a time and a place for them. Personally, I believe that place to be on any item that's current bid is less than $5. After that, is when the dick moves start, and get progressively dickier. Outbidding by $1 on anything higher than $50 is downright shameful. Context is key here. If you outbid a fellow community member by $1 every time they place a bid, it's disrespectful and a waste of their time (it also generates spam level FB notifications), even if their bid is lower than your potential maximum. In most cases, $1 is not enough of a deterrent for people to fold. All you're doing is being annoying.
There are 'strategic' reasons to make $1 bids on auctions. They mask your potential highest bid, they will save you the most amount of money when they stick, and they put other bidders on tilt. If your MO is to win auctions for the least amount of money, those are pretty good strategies. You're welcome to exercise them if you want, but don't pretend that you're not being an asshat to other members when you do that stuff. If you find yourself not respected by the community at large, don't be surprised. Misprint collectors are a pretty tight knit community. Bad reputations will not serve you well in the long run. If you show respect to other members, you will in turn be respected.
Most sellers set $1 minimum bid increments as a means to prevent dealing in pennies (something that can easily be done by just saying. "Bids must be in whole dollar amounts."). They also have the added benefit of continually bumping your auction thread. Higher visibility usually leads to more action and higher end prices on auctions. This can backfire though. It doesn't always guarantee you more bidding action. When members see a post get bumped to the top of the group a million times a day, they start ignoring it. What you think is helping, can actually hurt you. Additionally, there are members who are less likely to even bother bidding against the $1 bargain hunters because it's not worth the hassle. If you want the best way to get solid action on your items, I would recommend using a minimum bid system that escalates in proportion to the current bid. Here's what that might look like;
- Minimum bid on cards < $10 is $1
- Minimum bid on cards < $20 is $2
- Minimum bid on cards < $30 is $3
- Minimum bid on cards < $50 is $5
- Minimum bid on cards < $100 is $10
- etc, you get the math that's going on here and can fill in all the blanks.
I prefer this over flat % based minimum bid systems because it's very easy for bidders to calculate what the minimum bid on an item is. This is a great idea for sellers because it can net you HIGHER prices when true bidding wars break out. Bidders will be forced to be very thoughtful about their bids, and it will make things smoother in the long run.
If you want to employ the $1 bidding strategy, go ahead, but know that you are doing so at the cost of a negative impact to your reputation in the community. There are a lot of collectors who don't share that sentiment, but there are also a lot of collectors who feel the same as I do. If you want that sort of action, go to eBay and save us all the headache. Facebook is not optimized for auctioning, but it's what we've got. I'd really appreciated it if you stopped being assholes. "If you can't beat them, join them." Fuck that. I have integrity. /endRant
"It's not worth anything if you're not selling it."
"In order to determine the value you need to auction it."
"This type of misprint is worth 1.5 times the normal value of the card"
I'm going to do my best to not make this a rant, but statements like this are a huge pet peeve of mine. They are not true and they are continually offered as advice to people who are looking for estimates and information about their misprints.
It turns out that people have been thinking and talking about the concept of value for a very long time. I'm not an economist, but there's some pretty intriguing Wikipedia entries which you can check out here and here. To avoid getting into a theoretical or philosophical debate on the concept of value, I'll just use the dictionary.com definition:
Statements that suggest that a misprint has no value unless it is being sold are entirely contradictory to the very definition of the word. Value is a representation of potential. It's equally dependent on the willingness of the buyer to pay a specific price as it is for a seller to sell for a specific price. A lot of times an auction is actually a really poor way to determine the value of an object. Sometimes an auction goes unnoticed and an item goes for less than it would had it proper visibility. Other times there can be a bidding war which can escalate way past the historical market price for an item due to stubborn competitiveness. Black and white representations of market value and supply vs demand are sound theories, but the reality we live in is covered in greys. I really like the following paragraph from the wikipedia article:
Note that economic value is not the same as market price, nor is economic value the same thing as market value. If a consumer is willing to buy a good, it implies that the customer places a higher value on the good than the market price. The difference between the value to the consumer and the market price is called "consumer surplus". It is easy to see situations where the actual value is considerably larger than the market price: purchase of drinking water is one example.
If you've read my article about determining the value of misprints you already know that there are several factors to consider when appraising a misprint. The ability to accurately appraise misprints is something that requires experience, skill, and dedicated and continual observation of the market. Applying standard multipliers to types of misprints is an exercise in futility for all of the reasons and definitions of value mentioned above.
Misprint economics aside, using one of the three quotes mentioned at the beginning of this blog post, or any variation is simply a dick move. People are requesting information. A lot of the time their intent is to sell and they're looking to be informed about the product in which they're trying to sell so they can feel that they're making good decisions. Throwing flawed and generic responses at them is not only unhelpful, but can also pressure people into making bad decisions. It's bad...just don't do it. No, really. Please stop. If you don't agree, feel free to leave a comment here explaining why or send me an email!
Join me this episode as I crack another month's worth of MTG misprint mail and make an idiot of myself as I attempt to talk about them! Learn about some really neat stuff, and hang out and ask questions. Sorry about the massive 25 min long episode, but the payoff is totally worth it!! Don't forget to hit the like or subscribe buttons, because that's what everyone on youtube asks for ;)
Holy crap, has it already been an entire year? Yes. Yes it has. One year ago today I released misprintedMTG.com to the masses (you guys). The response has been incredible! I thought it would be really cool to share some data in celebration of our first year:
It's been an awesome year and I look forward to making more content for you guys in the next year. I'll keep releasing more episodes of Misprint Mailbrag and have a bunch of other videos in the works so be sure to subscribe to my youtube channel! It's really been an honor to make even such a minuscule splash in the great ocean of the internet, and it wouldn't be possible without all of you. Thank you to everyone who's helped me build the site, and thank you guys for deeming me worthy enough for you to take the time to read my words. Happy Birthday misprintedMTG.com!
So you may have seen this recent announcement published by Wizards of the Coast admitting to the use of the incorrect cardstock on an undisclosed amount of dual faced cards (DFC for short) in Ixalan.
As a result of this announcement, the misprint community has seen the inevitable flood of people asking if their cards are misprints and flooding marketplaces like eBay with all these new "misprints" they've opened.
Even worse, there are people with significant youtube followings, who know little about misprints, spreading misinformation by directly comparing this mishap to Summer Magic!
I'm here to set the record straight:
IXALAN DFC's WILL NOT BE WORTH MORE THAN THE NORMAL VERSION OF THE CARD! NEVER.
If we look at eBay right now we can see that people are hoping that misprint collectors will buy these magical new misprints at exorbitant premiums. There's a small flood of flashlight photos and "Ixalan Misprint" listing titles all over eBay,
So are these cards even selling? Admittedly, a few of them are, but not for the insane prices that some people are putting them at. If you've read my article about how to figure out the value of your misprint, you'll recall that I brought up supply and demand. Any demand for these cards is going to dry up very quickly. The types of collectors who want to own a few or all of these most likely have already got them. The more experienced collectors won't be in a rush though and if they don't have them yet will wait for the over-hype to pass before picking them up. What I'm saying is that there's LITTLE TO NO DEMAND for these cards. A few have sold on eBay at slightly higher prices, but that ship has sailed.
So now that we've established a baseline for demand, let's talk about supply. For WotC to make a PA about the error means that they are expecting multiple people to run into these and they needed to acknowledge them to avoid any potential competitive REL issues. From that, we can infer that a significant portion of product has been affected. This is supported by the fact of how many people are finding these cards now. It's safe to say that this is a very common error.
If you wan't to figure out the price of a very common production error over the long term, you need to take a look at the other very common errors that have popped up throughout the history of magic. I'm talking about the hairy Runeswords, the shifted Gaea's Touch, Alpha Unsummon, and the myriad of other similar examples throughout magic's history.
Let's compare our Ixalan DFC to one of the more valuable recurring misprints.
Unlike the Lost Vale to its right and the other 3 aforementioned common misprints the Serra Angel/Time elemental is visually stunning. Anyone who knows either of the 2 cards or anything about magic can immediately tell that there's something wrong. To top it off Serra Angel is a very collectible card. There are reasons that this card commands a $75+ price-tag.
The Lost Vale on the other hand requires a flashlight to even verify that it is a misprint. Otherwise it doesn't stand out at all. It's arguably less noticeable than the hairy runesword. People are also unsure about if these cards will be considered marked due to the tangible difference from normal cards when shuffling. That's why it will never carry a significant premium.
I hope after reading this that I've cleared up any potential confusion about the Ixalan cardstock issue. I need your help. Take this blog and share it. Stop the rumors about DFC's being valuable misprints from spreading further. The misprint community has become a bit of a dumping ground. Normal MTG players are opening minor misprints more than ever and because of misconceptions about what is collectible, we see floods of cards that are not. This may not seem like a big deal, but it's damaging to the health of our hobby. Imagine that you're watching your favorite tv show, and every 7 seconds a trailer for a show that you may be interested in interrupts your viewing experience. It'll get very old very quickly. Thank you for helping me spread the word!
That moment when you forget to place a bid on an eBay auction you’ve been watching for 2 weeks.
That moment when you get outbid on something after you’ve placed your ‘last bid’ on an item and then keep bidding out of sheer stubbornness.
That moment when you have expensive cards that need a spot in a binder but you’re too lazy to find one at the moment so you just toss them into a pile on your desk.
That moment when you’re super amped about that amazing deal you just got on a super insane rare item but then you need to wait a month before it arrives.
That moment when you check the tracking info on something you’ve bought and you learn that it’s arriving a whole day before the estimated delivery time.
That moment when you realize that you’re the only person who thinks that you got a great deal on that super insane rare item (which you’re still waiting on).
That moment when you see a newly discovered misprint for the very first time only to learn over the course of the next three months that it’s very common.
That moment where you saved up for a long time to get that one thing you really wanted, only to have something equally, if not, more amazing come up for auction the very next day.
That moment when you place a bid on that equally, if not, more amazing item even though you know better as your hobby budget rolls over in its grave.
That moment where you learned that one thing you always believed to be true turned out to just be a myth which you may have partially contributed towards spreading…whoops ;)
That moment when you open a chase mythic or masterpiece and don't care because it's not a misprint.
That moment when you actually consider folding to a $1 bid increase.
That moment when the guy at your LGS keeps showing you all of these “miscut” cards even after you’ve already explained that it needs to show a 2nd card to be considered miscut, but saying so again would just be rude.
That moment when you look through your entire collection and just really enjoy it.
I made another video! I've gotta get better at balancing my audio levels though.... next one I will ^__^;
Thanks for watching!
I enjoyed making the first video so much, I've decided to do it again. You'll notice some upgrades to this video: Better quality mic, sweet motion graphics intro, and no more autofocus on the card cam! I'll be opening all of my misprints on camera for now on.
I made a video! Join me as I crack about a month's worth of MTG misprint mail! Learn about some really neat stuff, and hang out and ask questions.
Misprinted Magic the Gathering cards are weird. Even weirder yet, are the folks who collect and/or sell them. Whether you're a collector or a seller, you should have a base understanding of what's desirable and what isn't. The tricky part is that as new cards are printed, the trends and population of misprints change. To the individual who opens a misprint, but is not familiar with the market, to them their card is usually a god given gift from the heavens, even if it's 1 pixel off from the normal version of the card. I'm tired (and so are all of the other collectors) of seeing your garbage. Here is a list of misprints that I just don't care about any more, and neither should you.
Ok, this one is a matter of severity because the core concept behind the misprint is actually cool. What's happening is that for one reason or another, the layer of black ink being printed on the pass for the art and mana cost is faded or missing. The problem is that this error has become insanely common with recent sets, and the variations of the severity. Unless you have the most extreme possible case, don't bother showing anyone.
One Side Normal, the other Slightly Offset
Another severity based issue. While this misprint is visually similar to offset/miscut cards, it has historically gotten special treatment due to the difference in the technical process that ends up generating these misprints. Well, guess what, it's time to apply the miscut rule to these misprints now. If the "miscut side" doesn't show a 2nd card, or the edge of a sheet, don't bother wasting anyone's time posting your cards.
Missing stamps (includes partially missing stamps)
For this one I'm talking about the holostamps used to 'authenticate' rare and mythic rare cards. Since they've been implemented, there's actually quite a few variations of possible holo stamp errors (I'll update my beginners guide with the complete list soon). When the stamp is missing or partially missing, it just isn't exciting anymore. First, it's a really common error (this might be a theme of the article that you've caught onto). Second, it's visually boring.
Slightly Smudged or Blurred/Bold Text
Following the theme of the article, slightly smudged text is common and visual appeal is entirely severity dependent. The overwhelming majority of these misprints are garbage, and not worthwhile. This is especially true with the recent release of Modern Master 2017, where this error is out en mass.
Slightly Offset Holo Stamps
Another severity based misprint! The stamp needs to really be somewhere it's not supposed to be for anyone to give a f about these. Let's say that the new rule of thumb is that if you can't place a stamp in between the position where the stamp is, and where it should have been, that it does not qualify as an error that anyone should care about. I'm a snob, but...your misprints are garbage.
"But Jason," you say, "I sold a slightly (insert whatever lame misprint here) for like a gorillion dollars! What do you mean nobody cares about these misprints?" Ok, I get it, sometimes there are exceptions to the rules, but that doesn't mean that your misprints aren't still garbage. Sometimes a garbage misprint on a highly desirable card still sells because obtaining decent misprints on those cards is extremely costly. Also, you get folks who aren't always aware of what they're buying, who end up buying garbage thinking it's neat. Yes I'm a snob, but your misprints are garabage <3.
About once a month I get an email asking me about a misprinted card that has half of another card printed on the back. In my best attempts to be helpful and informative, I respond to each one. It's gotten to the point however that I've now got a 'canned' response to these emails. Not once have I heard back from any of the individuals who have contacted me with any sort of thank you, and my guess is that's out of embarrassment for not being able to recognize a new card mechanic.
This leads me to question the quality of Magic's newly designed mechanic, Meld. On one hand, the text on Graf Rats reads, "At the beginning of combat on your turn, if you both own and control Graf Rats, and a creature names Midnight Scavengers, exile them, then meld them into Chittering Host." The key things to point out here are is that it both refers to the dependency on a 2nd card, and that it becomes something new (it says Chittering Host on both sides of the card!!!!). This means that if you read the card, you should (in theory) have a slight understanding of how it works. We can call that a design win.
What's not working is the visual layout. We have something that is visually different from any other magic card (except BFM). It's not new to have double sided cards, so players should be able to cope with that element. That means the confusion is coming from missing information. Our missing information, is literally the other half of Chittering Host. When looking at the physical card Graf Rats, and only that card, you are unable to fully understand what you're getting. This is the design fail, and this is where the disconnect comes into play.
On meld cards, I'm torn. On one hand I can understand why people think they're misprints because of the design failure, but on the other hand, how much leeway can you give people when all they have to do is read the text on the front of the card? Additionally ...google... It takes less effort to google your card, than it does to email me. I'm sure the majority of folks here are redirected through my tumblr blog, which they found via google. I'm going to stop before this gets too ranty. But I'll leave you with this newly spoiled card with a new visual layout/mechanic from Magic's upcoming set, Amonkhet.
Our community showcase winner for February comes from a collector friend of mine, Pi. What you're looking at is a test print (if that wasn't obvious) that came directly from the desk of a WotC art director, back when Hasbro bought out Wizards. What was being tested, is unknown, but these test prints are stupidly rare! Thank you to everyone who submitted a card this month, and be sure to send in your submissions for April!